Death has been served, natural, casual like a daily cup of tea.
A short conversation with a friend got me thinking about an issue that has been bouncing off my head for the last few days. The amount of deceased, victims of the now called Covid-19 are now over 1100 people and for most of us they are just that, a number, but hundreds and hundreds of people have been forced to deal with the sudden realization of death, people with names, lives, and feelings.
We are so busy trying to keep up with the news about the virus, the infected, how not to get infected, the doctors and nurses in the front line, the hope for a cure, the financial impact and the end of the lockdown, but we never stop to think about those 1100 people and their families.
Every year the “The Memorial Hall of the Victims in Nanjing Massacre by Japanese Invaders” organises a series of events to commemorate the International Peace day on the 21st of September.
In 2017 I was invited to take part in one of these activities by creating a 4 x 2 meters painting that was colored along with the people visiting the activity. The large painting was later donated to the museum.
For 2019 I received an email from “The Memorial Hall of the Victims in Nanjing Massacre by Japanese Invaders” inviting me to submit designs for the “Nanjing • City of Peace” Philatelic International Design Competition” a series of postal stamp that will be produced under the theme Nanjing City of Peace.
Being a long time habitant of Nanjing I have chosen to work with what I consider are the most relevant icons that represent the city. The first icon I decided to use is the mythical creature called “Pixiu 貔貅” which is considered a protector against the evil entities.
A statue of Pixiu is located at Zhongshan gate and welcomes the people entering the city through the very same gate that during the war saw the first invading troops breaching the city by land.
In my interpretation the Pixiu is holding a white dove, universal symbol of peace, in its lifted paw. Its a representation of the peace and harmony that today reigns in the city of Nanjing, which serves as an example of friendship and good relationships.
For my second submission I used a symbol that represents the city of Nanjing, the plum blossom flower, which we can see present in many places from the subway tokens to many logos and icons across Nanjing.
After the war, the city was gifted with several gardens filled with this magnificent and beautiful tree which flowers represent not only beauty but also endurance, it is today the strongest representation of peace, friendship, fraternity between the two nations that were once at war.
The white dove traditionally carries in its beak a branch of Olive as a representation of peace, in this case, the white dove carries a branch of plum blossoms as a message not only of peace but also fraternity and harmony.
Both compositions were originally hand sketched on the one line drawing technique characteristic of my work, later vectorized and colorized on computer graphic software.
This is a drawing commissioned by my dear friend @arqanaceflores, a Venezuelan architect who’s main area of specialization is accessibility for disable people in urban areas and public spaces. I love to take this kind of work because of the complexity and the challenge it represents, it takes me several hours negotiating with the composition, the technique and the limitations I impose on myself, without compromising the message and legibility.
To celebrate being a father I have to first celebrate those who have made me the father I am today.
My own dad who is now resting and who gave me the most profound and lasting lessons on how to be a caring, loving, unconditional and dedicated father. I feel so fortunate to have learned from the very best.
To my two beautiful kids who are the most beautiful, amazing and loving creatures any father could ask, every time they call me “dad” I can literally feel my heart drop and my face lights up with pride and gratitude.
There have been many events and situations in history that have sparked outrage and provoked change, we are all familiar with the story of how a dispute over a bus seat in 1955 ended up in a social revolution.
Once again is a bus the setting for what it should be another social revolution, a revolution to abolish ignorance, prejudice, bigotry, misogyny, discrimination, and all those social deceases. The attack against Melania and Chris on a London bus by a group of criminals is not an isolated case carried out by a group of disarranged criminals, let’s not be fooled, this is once again a brutal and horrendous act promoted by a society that masquerading themselves as religious and conservative incite hate, prejudice and discrimination.
I don’t see Melania Geymonat and her girlfriend Chris as victims, not only because they clearly refuse to be seen as such, but most importantly because they now represent something more iconic, living evidence of what this decaying society have turned into and what we should be work on becoming into. This is no longer Melania’s and Chris’ problem, this everybody’s issue and we should all feel responsible for not doing enough to preventing these abominable events from keep happening.
Every single person who doesn’t raise their voice against this kind of hate crimes is an accomplice especially those in positions of influence, and I make special emphasis on religious leaders because the majority of these horrendous acts are committed in the name of “religious and moral values”, also parents must be aware of what kind of values the instill on their kids because inadvertently they could be raising vulgar criminals incapable of respect and consideration for others.
On May 28th, 2019 I was invited to participate in the inauguration of an amazing creative center and art space located in the beautiful small city of Jiaxing in Zhejiang Province.
My participation consisted on a small retrospective exhibition of my work with pieces produced from 2016 to present and the creation of a painting with the theme of the “Red Boat Ideology” in front of the guests to the event who were mostly local government officials, art academics and local artists.
I shared this event with the amazing Russian street artist Feat Pavel who created and amazing mural for the venue under the same theme of the Red Boat.
The sketch for the live painting performance was produced on site, due to the limited amount of time available to produce the piece (only 2 hours), it needed to be simple and capture the idea suggested of the Red Boat theme. The result was the woman, representing the seductive country of China, carefully holding in her hand a red boat like a precious jewel.